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My love for photography began with my father, who filled our home with books on photography and art.

 

I originally studied English and Italian philology, but it was the visual world that pulled me in. I started filming extreme sports for Red Bull, gaining invaluable on-the-ground experience. That passion led me to the Global Cinematography Institute in Los Angeles, where I deepened my understanding of visual storytelling and refined my technical skills.

 

Since then, I’ve worked across feature films and commercials—both in Ukraine and internationally—always aiming to approach each project with integrity, precision, and care.

 

For me, every story calls for its own visual style. I love collaborating with directors and production designers to find the right cinematic language for a script—one that captures rhythm, emotion, and tone. Whether handheld or remote head, I use whatever tools are needed to keep the storytelling fluid and alive.

 

I begin conversations with the colourist early on, because I believe the visual tone of a film is born in the collaboration between camera and grade. Colour is not just a mood—it’s part of the emotional structure of a film.

 

I don’t approach projects just as a cinematographer, but as a filmmaker. I work to find the perspective and empathy that makes each story matter.

 

I believe great visual storytelling can move us to see the world—and each other—a little differently. That’s why I do this.

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